What is The Manor?
The Manor is the narrative spine of my practice: a twelve-character mythos that links drawings, color-music experiments (CR1), and essays into one world.

The Manor is an inner architecture – a mental framework I built to structure memory, color, and music. It functions like a “mind house”: eight floors, twelve stairs per floor, designed as both a mnemonic tool and a model for artistic research.
The Manor is pieced together from fragments of homes from my childhood, most notably the “Peter Pan house” in London, yet stripped down to a bare framework so it can serve others as a template. At its core, it is a prism where twelve fundamental colors and twelve tones of music are personified as living entities. These entities interact within the Manor much as notes harmonize in music, offering a multidimensional map of creative relationships.

The framework operates across three levels:
Microcosm – the Manor within the mind, a place to organize thought and memory.
Cosmos – the world we inhabit, where art and life unfold.
Metacosm – a speculative dimension where color and music themselves imagine us into being.
The Manor is not intended as a fixed mythology, but as a shared model. Just as one can learn scales and chords in music, the Manor provides a structure for individuals to map their own memories, colors, and symbolic characters. Its aim is cultural continuity: a way of transmitting complex artistic ideas through a memorable, human framework.
By adopting the Manor, others can build parallel inner structures that echo the same foundation – twelve colors, twelve tones – yet develop into unique personal worlds. It is at once private and collective, grounded in history yet open to future generations.
